Bits & Pieces
March 16, 2022
Welcome to the new newsletter, where I'll be posting once a week. Please do subscribe! It won't just be on copper but copper will always be included.
Indexing progresses on Pensaukee: Voice of a Landscape. But with my tax job can only hope to have the print copy available by end of March. Cover artist Adam Reinhard committed to the cover! I have to send him a blurb. How does this sound:
We all know humans change the natural landscape but how, why, to what extent? Here in one book you will witness the progression, starting with the land itself, to native American Indians living on the land that were encountered by earliest Europeans, how those early trade efforts went and how the land grab began. You'll witness the land here through the industries of logging, fur trade, fishing and farming. You'll see how nature fights back. Welcome to a small town that could be any town, USA, but this one is in Wisconsin, a state half sheltered by great waters. Welcome to Pensaukee, home of the first commercial sawmill west of the Great Lakes, now a national historic site.
Got an email that the filming schedule will commence on Silent Courage, a movie that is part documentary on the history and treatment of Autism. If you can donate, the link is on my Facebook page.
Am planning an article on George Wallace. Who shot him and why? He was featured for his appearance in Wisconsin in '72 and decision to run for president. He would well be one of those white supremacists behind the killing of two Kennedys and a King.
Northern Wisconsin Copper Artifact Manual is progressing. I have only a few more sources to read and then a final edit of the book. I'm hoping for early April on this one.
Still no word from the publisher on my archaeology murder myself. I do plan another edit, soon!
Started a new play called "Last Curtain" but it's going to be a series of scenes that I thread together. Happy for what we call the editing process!
Am happily volunteering at Janesville Performing Arts Center. Will have to give them another day this weekend, if possible.
This will show you at a glance the museums used in this resource manual, demonstrating how dispersed the copper artifacts area that were found in Michigan over the centuries. Source materials are in the bibliography and private collectors remain anonymous.
MUSEUM COLLECTIONS USED/REFERENCES IN TABLES
American Museum of Natural History, NYC
Delta County Historical Society, Escanaba
Detroit Historical Society
Earthaven Mineral Museum, Suring
Field Museum, Chicago
Gilcrease Museum, Tulsa
Grand Rapids Public Museum
Kalamazoo Valley Museum
Logan Museum of Anthropology, Beloit
Mackinac State Historic Parks
Marquette Regional History Center Museum
MacBride Hall, Iowa City
McCalester College Museum, St Paul
Menominee Co History Museum
Michigan College of Mining & Tech, Sault Ste Marie
Michigan Technological University, Houghton
Milwaukee Public Museum
Minnesota Historical Society Museum, St. Paul
Monroe County Museum System, Monroe
Museum of Nature and Science, Denver
National Museum of American Indian, DC
National Museum of Natural History, DC
Neville Public Museum, Green Bay
Peabody Museum, Harvard
Penn Museum Collections at University of Pennsylvania Museum of Archaeology and Anthropology
Ripon Historical Society Museum, Wisconsin
Royal Ontario Museum, Toronto
Seaman Mineral Museum, Michigan Tech
Sloan Museum and Longway Planetarium, Flint
UM Museum of Anthropological Archaeology, Ann Arbor
University of Nevada Keck Museum
Wisconsin Historical Society, Madison
Trevelyan (2004:123): Traditional myth suggests that Native American ritual was often aimed at achieving a balance of power between spiritual entities above and below the surface of the earth. It was probably the potent association of copper with similar opposites that made it crucial in so many important ceremonial traditions – a medium in every sense of the word.
Welcome to the Michigan edition of the Copper Artifact Master Database (CAMD). It's fitting that this is the first resource manual that I release. Susan Martin (1995) noted the same issue that dragged me in: "Mysterious books with lurid symbols and tales of trans-oceanic contact fill people's minds with archaeo-illogical constructs (Sodders 1990; Sodders 1991)." I was bombarded, when I was curator at Oconto Copper Burial Museum, with Michigan people who seriously believed that copper was missing from the Lake Superior copper mines and were taken to the old world to build the Bronze Age. They believed that the natives here had help in learning to tool in copper. One of them came into my museum, studied some photos of points I had posted, nodded and said, "Yup, smelted." No professional agrees, because smelting shows a kind of bubbling in the metal; no smelting has been found in the USA. Another suggested that millions of pounds of copper were missing from Lake Superior, and decided that missing copper not only built the Bronze Age in the Old World but also that Phoenicians and others were the ones who taught natives here how to tool in copper.
I started the CAMD determined to demonstrate just how vast the trade network of the Americas was, that missing copper was all right here. I felt this database could end that debate for good. What I ended up learning defied my imagination. As Martin noted: "There is unbroken continuity in populations, based on skeletal and artifact evidence, in the Upper Great Lakes, and there is absolutely no evidence that there is anything unusual or biologically separate about the populations that lived in the Upper Great Lakes during prehistory. … This systematic and extensive research program expanded our knowledge about prehistoric pottery-using people, and turned up no evidence, anywhere, of non-native exploitation of prehistoric copper (Clark 1988; Clark 1990; Clark 1991; Martin 1988a; Martin 1988b; Martin 1990; Martin, Martin and Gregory 1994)." She was also referring to the idea that the "Mound Builders" were a separate race of people, referred to by some as "Old World" that the Indians Europeans encountered must have killed them off.
As for the ridiculous comment that copper was missing from Lake Superior region, Martin says: "The mythic calculations involve the numbers and depths of copper extraction pits, the numbers and weights of stone hammers, the percentage volume of copper per mining pit, the numbers of miners, and the years of mining duration. Ultimately, the mix of these numbers yields the alleged total amount of extracted prehistoric copper, that being in the range of 1 to 1.5 billion pounds. It's difficult to attribute this branch of mathematics to any one individual, but if there's credit to be given, it should be given first to Drier and Du Temple (Drier and Du Temple 1961) and then to a Chicago-area writer named Henrietta Mertz, who lays out her numerology proposals in a book entitled Atlantis: Dwelling Place of the Gods (Mertz 1967). In contrast, I propose that none of these numbers, save those related to the weight of the hammers, are actually knowable in an empirical sense."
One final note from Susan Martin explains why I started the CAMD: "Henriette Mertz tells it more plainly and lays culpability at the toes of the archaeological profession: "This incredible amount of copper has not been accounted for by American archaeologists ..... the sum total according to archaeological findings here in the States amounts to a mere handful of copper beads and trinkets … float copper. Five hundred thousand tons of pure copper does not disintegrate into thin air. It cannot be sneezed away … it must be somewhere, and to date, it has not been located in the United States," and "99.9% is still to be accounted for" (Mertz 1976:18). Mertz concludes, of course, that the copper was disappeared by Old World Bronze Age metal mongers.
The CAMD shows only a small percentage of where that copper is; there is still much more to be found in undocumented museums, collectors and still underground. But the amount of copper in the CAMD also defies imagination. No one expected that a collection like this could be possible. I found it not only possible, but necessary. How valid is the material can only be found if you test it. I cannot send you to the collectors, but you can contact any of the museums here to pursue your area of interest.
A note here about the tables here: I do not share any confidential material, such as what was found in burials or the specific site locations, or name of donors or private collectors who prefer to remain anonymous. These materials are shared with the hope that, if collectors have found something interesting, they'll refer to this manual to see what they have and how it fits with where it was found, and perhaps be encouraged to find a museum able to display them; museums will use the data to improve the status and nomenclature of their collections, and to create more exhibits; and researchers will take what was found in a location they're researching to learn more about that area.
Michigan is an enigma, in that it seems like it should have more copper artifacts than Wisconsin. There could be a number of reasons Wisconsin has more, but the one that comes to mind is that Michigan is farther north; it warmed later and was settled later, and there was plenty of float copper to be had in the south before the need to seek its source arose. This is corroborated by William Lovis (1979:84), when he noted that reduced Early and Middle Archaic populations in Michigan related to "the lower productivity of established boreal forests during the Early and Middle Holecene," that mammals were scarce and fish had not yet moved up into those waters. He noted arguments along these lines and set out to explore the realities of archaic populations in Upper Michigan. In his conclusion, he sees the settlement trend beginning in the Middle Archaic, especially in the Saginaw Valley. Later settlement in the Upper Peninsula (UP) indicates that copper sources and copper tooling were located in the southern distracts of the glacial path where float copper was easily accessible (Behm, WA Vol. 78 #1-2, 33). Treveylan (2004:12) said it was unlikely that they mined here year-round because of the severe winters. Lovis noted no Middle Archaic sites in the UP. David Brose (Encyclopedia of American Archaeology, 2007) doesn't reference the UP until a discussion of Late Archaic, saying that earlier populations depended on glacial drift copper, also called float, and that many sites used were seasonal. In Handbook of North American Indians (1978:40) we see "in later phases in Michigan." Referencing the map below, the glacial drift would have receded earlier in the southern portions.
Even today, a ranking of worst places for snow puts Michigan as second worst, with Wisconsin #7 and Illinois #13. Only Minnesota beat Michigan.
I've been busy working on the Michigan Copper Resource Manual and stumbled on a potential connection between Gogebic County and Teotihuacan. In the photo you'll see a big disc that was found there. Note the design that was deliberately pecked into it. I found a similar design that has been found in numerous places around this Mexican city that was in existence about the same period of time as the Hopewell.
Now the main reason for the CAMD is to try and demonstrate trade links throughout the Americas, so you know I'm not going to let this one go. Nor am I going to establish this as a fact of trade or migration connections. I simply put it out there to wonder out, like we're currently wondering about a monolith that traveled from Utah to Romania.
The Manual I'm working on will demonstrate any potential trade linkage in the summary section, and that means I'll need another map to show how they would have traveled via water from the Mississippi River, which has further river linkage to Gogebic County, down into the Gulf to Mexico.
No reason to believe it's not possible.
There is another pendant found in Houghton County, Michigan that has a similar pecked design, but this one appears more like a constellation. The pendant is tear drop and I do have permission to use that one in the book. This one included here I'll have drawn for the book.
Most of what the Michigan Manual appears to demonstrate is activity from Late Archaic through the Hopewell to the beginning of the use of bow and arrow.
The Difficulties with the CAMD
I've always known that what I set out to do would be hard. Because I'm a woman with no real past experience as an archaeologist? But there are plenty of amateur archaeologists around. Most of them are men, however.
I was curator at the Oconto Copper Museum for three years, and met up with nothing but trouble.You'd think that would send me fleeing the field of copper, never to look back. I guess I'm stubborn. But I had a committee of all men, and I got in the middle of a tussel with the state archaeologist and another archaeologist who wanted me to close down a children's display. The committee refused. I was held responsible. I made no money being curator, and in the last year, they wouldn't even pay for tours. So I left. But I took my love of copper reserach with me.
Why? Because I'd met some people from Michigan who insisted that the copper from Lake Superior built the bronze age in the Old World. They insisted that copper was missing, and had to go somewhere. I felt by creating the copper artifact master database (CAMD), I could show where that copper went.
That alone should make the CAMD valuable, right? But it seems like now, after a decade, there are more people than ever against what I'm doing. Sure, I'm out of my league. Sure, I'm stubborn. But who else could get something like this done? And it's not like I've tredded on someone else's toes. No one else was trying to prove how vast was the copper industry and trade network in the Americas.
I'm at a loss to figure out this anti-attitude against contributing copper data to the CAMD. I feel that, in Wisconsin, anyway, people are bad-mouthing me and I have no ability to defend myself because I don't know what the problem is. I don't know what they're saying. I do know one kicked me off her facebook page because I wouldn't share the CAMD for free. So I guess I'm greedy, right? People who do research, and spend a ton of money doing it, don't deerve to sell their books? When did that happen?
I wish someone would buy this reserach from me. I'd love to walk away. But I have too much time and money sunk into this. I have to do something with it. I'm just not sure I have the heart to proceed, and for those wondering, yes, it IS one reason I stopped creating the newsletter.
I'm doing a lot at Academia.edu now. And I'll put small discoveries here from time to time. I still believe this is a great project for museums, who are the most appreciative, to date.
So I haven't completedly wasted your time here, here's a link to an article I'm looking at today about Etowah, dated 2005. https://www.academia.edu/11352947/Re-Inventing_Mississippian_Tradition_at_Etowah_Georgia?auto=download